All about Guitar Amplifiers
Guitar amplifiers are electronic amplifiers designed to be used with electronic musical instruments, such as an electric guitar.
Guitar amplifiers are mainly made in two major forms. The combination amplifier has the amplifier head and guitar speakers in a single unit. The amplifier head or amp head contains the electronic circuitry constituting the preamp, built in effects processing, and power amplifier.
In the second form, the amplifier head is detached from the speakers, and joined by cables. The separate amplifier is known as an amplifier head, and is normally located on top of one or more loudspeaker enclosures. This separate amplifier head when placed on top of a guitar speaker enclosure or guitar speaker cabinet forms an amplifier stack or amp stack.
Instrument amplifiers Types
An extensive range of instrument amplifiers can now be used with the electrical guitar. Some are for general purpose and some designed for specific instruments and even for a definite sound. These comprise: Traditional guitar amplifiers which generate a clean, warm sound a sharp treble roll off at 5 kHz or less and bass roll off at 60 to 100 Hz. It has presets with built in reverb and tremolo (vibrato) units.
These types are often used by traditional rock, blues, and country musicians. Chances are that when on higher volume level the sound can get distorted. So to counter higher end bass amplifiers at times include compressor or limiter features, and an XLR DI output to patch the bass signal directly into a mixing board. To keep the bass amplifiers cool they are often provided with external metal heat sinks or fans.
Keyboard amplifiers, have a low distortion rate and also to make things easy for its functioning it has a simple onboard mixer. This assists the keyboardists to control the tone and level of several keyboards.
Acoustic guitar amplifiers are intended solely to produce a clean, transparent, acoustic sound when being used with acoustic instruments with built in transducer pickups and microphones.
In addition to a 1 by 4 inch input jack, some instrument amplifiers bear an additional input jack for inserting microphone. This is known easily as it will use a three pin XLR connector. Conversely, phantom power, which is not a necessary for lower end amplifiers, is often provided with the high end versions, so that musicians can use condenser microphones.
Vacuum tube guitar amplifier circuit is rather uncomplicated. Two triodes are used in the preamplifier section for obtaining a high signal level to implement any tone controls and drive the following sections. Two more triodes split the phase of the signal and drive the final pentode or beam tetrode (kinkless tetrodes) tubes of the push pull power amplifier stage.
Solid state guitar amplifiers commonly have the quickest response time, even more so than modeling amps. Tubes tend to create warm overdrive sounds instead of cutting the peaked signal off. They more or less pull the peaked audio information back (like natural compression) which creates a fuzzy overdrive sound.
Modeling guitar amplifiers are used to simulate sounds of well known cabinets, guitar amps, and effects. Digital processing is done to obtain this, although there are prevalence analog modeling amps as well, like the Tech 21 Sansamp. Modeling amps characteristically output a wide range of tones and effects, and offers cabinet simulation, which aids the recording without a microphone.
The history of guitars traces back to India and Central Asia. It is derived from the Sitara. The oldest known iconographic depiction of an instrument displaying all the required features of a guitar is a 3300 year old stone carving of a Hittite bard. Earlier a guitar was known to be an instrument with a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides. The modern guitar owes its origin from the Spanish guitarra derived from the Latin word cithara. Cithara comes from the Greek word kithara, perhaps derived from Persian sihtar, which in turn related to Indian Sitara.
Following the history of guitars the modern guitar comes from the Roman cithara brought by the Romans to Hispania around 40 AD. They further modified and developed it with the entrance of the four string oud, brought by the Moors. In other parts of Europe, the native six strings Scandinavian lut (lute) had gained in reputation in areas of Viking incursions across the continent.
The composers for the string instruments wrote mostly in tablature notation. During the 17th century, Italy was said to be the capital of the guitar world. In France, the guitar was considered to be the instrument of the nobility. The Spanish school of guitar creation flourished after the end of the eighteenth century. The works and composition of the composers traveled widely including the Italians composers who were involved in a number of substantial works.
One of the most vital factors in the history of guitars was the addition of the sixth string during the middle of the eighteenth century. The changes in social conditions and improvement in the mode of transportation during the 19th Century contributed to the growing understanding of the guitar and enabled performers to travel with their composition. Guitar music thrived Spain more than others in the 19th century.
The early 20th century saw the European emigrants coming to America brought a number of highly skilled instrument makers among them, including those who were expert in the manufacturing of steel stringed acoustic guitar. Two types of construction evolved, the flat top guitar and the arch top guitar. Martin and Gibson were two of the original and most significant of all American acoustic guitar makers.
A well recognized name in the history of guitars, Antonio Torres Jurado (1817 to1892), developed the modern feature of the guitar in Seville during the 1850s. George Beauchamp in 1936 patented the electric guitar, which used the horseshoe magnet pickup. However, Danelectro was the first to produce electric guitars for the wider public.
The requirement for something with an amplified sound became noticeable during the big band era of history of guitars. Amplified devices became necessary in order to fight with the loud volumes of the large brass sections common to jazz orchestras of the thirties and forties. To begin with the component of electric guitar, this consisted primarily of hollow archtop acoustic guitar bodies to which electromagnetic transducers had been fixed.
The original recognized use of the electric guitar in the history of guitars was during October 1932 in Wichita, Kansas by guitarist and bandleader Gage Brewer who acquired two instruments directly from George Beauchamp of Los Angeles, California. The first recording of an electric guitar was by jazz guitarist George Barnes. He recorded two songs in Chicago on March 1st, 1938. These were Sweetheart Land and It is a Low Down Dirty Shame.
About the Author: Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, guitar amplifiers, drums, drum sets, drum kits, and synthesizers, keyboards.
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