Category: Guitar

Nov 08 2007

All about Guitar Amplifiers

Guitar amplifiers are electronic amplifiers designed to be used with electronic musical instruments, such as an electric guitar.

Guitar amplifiers are mainly made in two major forms. The combination amplifier has the amplifier head and guitar speakers in a single unit. The amplifier head or amp head contains the electronic circuitry constituting the preamp, built in effects processing, and power amplifier.

In the second form, the amplifier head is detached from the speakers, and joined by cables. The separate amplifier is known as an amplifier head, and is normally located on top of one or more loudspeaker enclosures. This separate amplifier head when placed on top of a guitar speaker enclosure or guitar speaker cabinet forms an amplifier stack or amp stack.

Instrument amplifiers Types

An extensive range of instrument amplifiers can now be used with the electrical guitar. Some are for general purpose and some designed for specific instruments and even for a definite sound. These comprise: Traditional guitar amplifiers which generate a clean, warm sound a sharp treble roll off at 5 kHz or less and bass roll off at 60 to 100 Hz. It has presets with built in reverb and tremolo (vibrato) units.

These types are often used by traditional rock, blues, and country musicians. Chances are that when on higher volume level the sound can get distorted. So to counter higher end bass amplifiers at times include compressor or limiter features, and an XLR DI output to patch the bass signal directly into a mixing board. To keep the bass amplifiers cool they are often provided with external metal heat sinks or fans.

Keyboard amplifiers, have a low distortion rate and also to make things easy for its functioning it has a simple onboard mixer. This assists the keyboardists to control the tone and level of several keyboards.

Acoustic guitar amplifiers are intended solely to produce a clean, transparent, acoustic sound when being used with acoustic instruments with built in transducer pickups and microphones.

In addition to a 1 by 4 inch input jack, some instrument amplifiers bear an additional input jack for inserting microphone. This is known easily as it will use a three pin XLR connector. Conversely, phantom power, which is not a necessary for lower end amplifiers, is often provided with the high end versions, so that musicians can use condenser microphones.

Vacuum tube guitar amplifier circuit is rather uncomplicated. Two triodes are used in the preamplifier section for obtaining a high signal level to implement any tone controls and drive the following sections. Two more triodes split the phase of the signal and drive the final pentode or beam tetrode (kinkless tetrodes) tubes of the push pull power amplifier stage.

Solid state guitar amplifiers commonly have the quickest response time, even more so than modeling amps. Tubes tend to create warm overdrive sounds instead of cutting the peaked signal off. They more or less pull the peaked audio information back (like natural compression) which creates a fuzzy overdrive sound.

Modeling guitar amplifiers are used to simulate sounds of well known cabinets, guitar amps, and effects. Digital processing is done to obtain this, although there are prevalence analog modeling amps as well, like the Tech 21 Sansamp. Modeling amps characteristically output a wide range of tones and effects, and offers cabinet simulation, which aids the recording without a microphone.

The history of guitars traces back to India and Central Asia. It is derived from the Sitara. The oldest known iconographic depiction of an instrument displaying all the required features of a guitar is a 3300 year old stone carving of a Hittite bard. Earlier a guitar was known to be an instrument with a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides. The modern guitar owes its origin from the Spanish guitarra derived from the Latin word cithara. Cithara comes from the Greek word kithara, perhaps derived from Persian sihtar, which in turn related to Indian Sitara.

Following the history of guitars the modern guitar comes from the Roman cithara brought by the Romans to Hispania around 40 AD. They further modified and developed it with the entrance of the four string oud, brought by the Moors. In other parts of Europe, the native six strings Scandinavian lut (lute) had gained in reputation in areas of Viking incursions across the continent.

The composers for the string instruments wrote mostly in tablature notation. During the 17th century, Italy was said to be the capital of the guitar world. In France, the guitar was considered to be the instrument of the nobility. The Spanish school of guitar creation flourished after the end of the eighteenth century. The works and composition of the composers traveled widely including the Italians composers who were involved in a number of substantial works.

One of the most vital factors in the history of guitars was the addition of the sixth string during the middle of the eighteenth century. The changes in social conditions and improvement in the mode of transportation during the 19th Century contributed to the growing understanding of the guitar and enabled performers to travel with their composition. Guitar music thrived Spain more than others in the 19th century.

The early 20th century saw the European emigrants coming to America brought a number of highly skilled instrument makers among them, including those who were expert in the manufacturing of steel stringed acoustic guitar. Two types of construction evolved, the flat top guitar and the arch top guitar. Martin and Gibson were two of the original and most significant of all American acoustic guitar makers.

A well recognized name in the history of guitars, Antonio Torres Jurado (1817 to1892), developed the modern feature of the guitar in Seville during the 1850s. George Beauchamp in 1936 patented the electric guitar, which used the horseshoe magnet pickup. However, Danelectro was the first to produce electric guitars for the wider public.

The requirement for something with an amplified sound became noticeable during the big band era of history of guitars. Amplified devices became necessary in order to fight with the loud volumes of the large brass sections common to jazz orchestras of the thirties and forties. To begin with the component of electric guitar, this consisted primarily of hollow archtop acoustic guitar bodies to which electromagnetic transducers had been fixed.

The original recognized use of the electric guitar in the history of guitars was during October 1932 in Wichita, Kansas by guitarist and bandleader Gage Brewer who acquired two instruments directly from George Beauchamp of Los Angeles, California. The first recording of an electric guitar was by jazz guitarist George Barnes. He recorded two songs in Chicago on March 1st, 1938. These were Sweetheart Land and It is a Low Down Dirty Shame.

About the Author: Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, guitar amplifiers, drums, drum sets, drum kits, and synthesizers, keyboards.
Source: http://www.articlesbase.com

Nov 08 2007

History of Guitars

The history of guitars traces back to India and Central Asia. It is derived from the Sitara. The oldest known iconographic depiction of an instrument displaying all the required features of a guitar is a 3300 year old stone carving of a Hittite bard. Earlier a guitar was known to be an instrument with a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides. The modern guitar owes its origin from the Spanish guitarra derived from the Latin word cithara. Cithara comes from the Greek word kithara, perhaps derived from Persian sihtar, which in turn related to Indian Sitara.

Following the history of guitars the modern guitar comes from the Roman cithara brought by the Romans to Hispania around 40 AD. They further modified and developed it with the entrance of the four string oud, brought by the Moors. In other parts of Europe, the native six strings Scandinavian lut (lute) had gained in reputation in areas of Viking incursions across the continent.

The composers for the string instruments wrote mostly in tablature notation. During the 17th century, Italy was said to be the capital of the guitar world. In France, the guitar was considered to be the instrument of the nobility. The Spanish school of guitar creation flourished after the end of the eighteenth century. The works and composition of the composers traveled widely including the Italians composers who were involved in a number of substantial works.

One of the most vital factors in the history of guitars was the addition of the sixth string during the middle of the eighteenth century. The changes in social conditions and improvement in the mode of transportation during the 19th Century contributed to the growing understanding of the guitar and enabled performers to travel with their composition. Guitar music thrived Spain more than others in the 19th century.

The early 20th century saw the European emigrants coming to America brought a number of highly skilled instrument makers among them, including those who were expert in the manufacturing of steel stringed acoustic guitar. Two types of construction evolved, the flat top guitar and the arch top guitar. Martin and Gibson were two of the original and most significant of all American acoustic guitar makers.

A well recognized name in the history of guitars, Antonio Torres Jurado (1817 to1892), developed the modern feature of the guitar in Seville during the 1850s. George Beauchamp in 1936 patented the electric guitar, which used the horseshoe magnet pickup. However, Danelectro was the first to produce electric guitars for the wider public.

The requirement for something with an amplified sound became noticeable during the big band era of history of guitars. Amplified devices became necessary in order to fight with the loud volumes of the large brass sections common to jazz orchestras of the thirties and forties. To begin with the component of electric guitar, this consisted primarily of hollow archtop acoustic guitar bodies to which electromagnetic transducers had been fixed.

The original recognized use of the electric guitar in the history of guitars was during October 1932 in Wichita, Kansas by guitarist and bandleader Gage Brewer who acquired two instruments directly from George Beauchamp of Los Angeles, California. The first recording of an electric guitar was by jazz guitarist George Barnes. He recorded two songs in Chicago on March 1st, 1938. These were Sweetheart Land and It is a Low Down Dirty Shame.

About the Author: Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, traditional guitars, drums, drum sets, drum kits, and synthesizers, keyboards.
Source: http://www.articlesbase.com

Nov 08 2007

How to Tune a Guitar

A perfect guitarist is someone who not only plays good guitar but who also takes care of the instrument just like his child. It includes cleaning and polishing the guitar regularly, changing the strings, storing it in its suitable place and moreover, most importantly, it is necessary to know how to tune a guitar properly. Tuning is essential in order to keep the guitar sounding well. Therefore, not only the established guitarist but also the beginners should get acquainted with every prospects of tuning.

Discussing about how to tune a guitar, the first point to be mentioned is the perfect meaning of tuning. Normally a guitar has six strings, each of which is of different size and posses different note value. Tuning a guitar means adjusting the pitch of each of these strings so that they play the correct note. This basically is done by tightening and loosening each of the tuning pegs (as tightening raises the pitch of the strings and loosening lowers it).

Talking about, how to tune a guitar, the next point follows is the type of tuning. Mainly the process that is followed to tune a six-string guitar is the standard tuning. The pattern of the strings is like this:

- E is the 6th string and the lowest sounding one.
- A is the 5th string.
- D is the 4th string.
- G is the 3rd string.
- B is the 2nd string.
- E’ is the 1st one and the highest sounding string.

Other than standard tuning, the guitar tuning option also includes alternate guitar tuning. The guitar can be tuned to Drop D, Open C, Open G, , Open E or Admiral, Half step down, and Full step down. But the most popular one for both Electric and Acoustic guitar is the standard tuning and a perfect answer to the question how to tune a guitar.

However, it should be noted that in a perfect tune, the 1st and the 6th strings open must produce the same note, of course at different pitches. Therefore, following the standard tuning, lets see how to tune a guitar methodically:

E String Tuning – To tune the sixth string, the tuning peg has to be slowly adjusted after playing the pitch. And it is necessary to tune up by increasing the string tension. Until and unless the sixth string is tuned to E, the other strings cannot be tuned.

A String Tuning – To tune the fifth string, the first thing to be done is to placing the index finger of the left hand just behind the 5th fret of the 6th string and slowly playing the 6th string at the 5th fret with the right hand. Next is to adjust the 5th string tuning peg gently until both the notes are same.

D string tuning – Same as the last one, the tuning of the 3rd string can be done by putting the first finger of the left hand behind the 5th fret on the A string, which is the D note. Then gently tuning the 4th string i.e. the D note to the last one is the only thing to follow.

G string Tuning – Just like the last one, the tuning of the G – string needs placing the first finger of the left hand behind the 5th fret on the D string, which is the G note. Then a gentle tuning of the G-string to that note is all to be done.

B String Tuning – The tuning needs the first finger of the left hand to be placed behind the 4th fret and the rest is same as the earlier one, i.e. to adjust to the last one.

E’ String Tuning – The tuning needs the first finger of the left hand to be placed behind the 5th fret on the B String, which is the E’note. Rest is to adjust E string to that of the last string.

Now that you have learnt how to tune a guitar, get tuning.

About the Author: Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: six string guitars, guitar strings, drums, drum sets, and synthesizers, keyboards.
Source: http://www.articlesbase.com