Roland V-synth GT delivers number of sound technologies — including Elastic Audio Synthesis technology, Articulative Phrase SYNTHESIS technology, Vocal Designer, COSM-based analog modeling, and PCM wave sampling and playback. V-Synth GT start with analog-modeled waves, PCM waves, or an external audio source, which you can then process with familiar synthesis tools like ADSR envelopes, LFOs, and filters. The original V-Synth GT contains hundreds of onboard patches and tones, and the Version 2.0 update adds many hundreds more cutting-edge sounds to expand the instrument’s already powerful abilities. The V-Synth GT is chock-full of ways to control the sound quickly and easily, all in real time. The touch screen is intuitive to use, and the response of the eight universal control knobs has been in enhanced in Version 2.0 to make adjustment of complex sound parameters tight and precise.

Roland V Synth GT Workstation Keyboard

Special Features of Roland V-Synth GT Workstation Synthesizer

• AP-SYNTHESIS recreates the ever-changing nuance, feel, and phrase articulation of non-keyboard instruments such as strings, brass, and woodwinds, and you can apply these characteristics dynamically to any V-Synth GT sound as you play.
• Elastic Audio Synthesis and VariPhrase technology let you change the pitch, formant, and length of sampled sounds in real time, making them come alive with authenticity.
• Vocal Designer, an onboard vocoder with advanced voice modeling, allows you to use the most natural instrument of all—the human voice—to add the ultimate expression to V-Synth GT sounds.
• Full Color Touch Screen

Roland V-Synth GT Workstation Synthesizer Video

There are two sets of analog stereo outputs, as well as a stereo line input and an XLR mic jack for using the onboard sampling features and processing external sounds with the synthesis tools and effects on the V-Synth GT Version 2.0’s rear panel. Coaxial and optical S/P DIF digital I/O is also provided, supporting sample rates up to 96 kHz.

Technical Specification

• Keyboard: 61 keys (with velocity and channel aftertouch)
• Sound Generator Configuration: Dual-core (2 Tones per Patch: Upper and Lower)
• Sections per Tone: Oscillator (envelope x 4 + LFO x 1) x 2, Modulator x 1, COSM (envelope x 2 + LFO x 1) x 2, TVA (envelope x 1 + LFO x 1) x 1, Multi Step Modulator x 1, Tone-FX x 1, AP-Synthesis (Articulative Phrase Synthesis) x 1 (*), Vocal Designer x 1 (*): * Usable on either upper or lower (not both)
• OSC1/OSC2 (Oscillator 1, 2): Analog Modeling: 14 waveforms (SAW, SQUARE, TRIANGLE, SINE, RAMP, JUNO, HQ-SAW, HQ-SQUARE, NOISE, LA-SAW, LASQUARE, SUPER-SAW, FEEDBACK-OSC, XMOD-OSC), PCM/VariPhrase (Preset waveforms + Sampling waveforms), External Input
• MOD (Modulator): 4 types (RING, FM, ENV-RING, OSC-SYNC)
• COSM: 16 types (OD/DS, W-SHAPE, AMP, SPEAKER, RESONATOR, SBF1, SBF2, COMB)
• Multi Step Modulator: Provided independently for the Upper Tone and Lower Tone Tracks per Tone: 4, Maximum Number of Steps: 16,
• Templates: 16, Tempo: 20–250 BPM
• AP Synthesis: Source Waveforms: 38 types, Phrase Models: Violin, Erhu, Sax, Flute, Multifade
• Vocal Designer: Carrier: Oscillator x 2, Modulator x 1, COSM x 2, TVA x 1, Multi Step Modulator x 1, Vocoder: 4 types (Stereo, Mono, Vintage, Enhance), Formant: 7 types (Maximum)
• Zones: Upper Tone: 16, Lower Tone: 16
• Arpeggiator: Patterns: User programmable (supports use of control change messages), Motifs: 8 types, Templates: 16, Tempo: 20–250 BPM
• MIDI Parts: One
• Maximum Polyphony: 28 voices (varies according to the sound generator load)
• Internal Memory: Projects: 1, Patches: 512, Tones: 896, Wave Memory (RAM): 64 MB
• Internal Storage: Internal Flash Memory: 49.5 MB
• External Storage Device: USB Flash Memory
• Effects: Tone-FX: 63 types, Chorus: 8 types, Reverb: 18 types, 4-band system EQ, Input Effects (Mic/Sampling)
• Sampling Frequency: Internal: 44.1 kHz, DIGITAL IN/OUT: 96, 48, 44.1 kHz
• Signal Processing: Internal Processing: Sound Generating Section: 32 bits (floating point), Effects Section: 32 bits (fixed point), DA Conversion: 24 bits, AD Conversion: 24 bits
• Nominal Output Level: MAIN OUT: +4 dBu, DIRECT OUT: +4 dBu
• Nominal Input Level: INPUT (L, R): -10/-20 dBu, MIC IN: -50– -10 dBu
• Display: 320 x 240 dots backlit TFT full color touch screen
• Controllers: Pitch Bend/Modulation Lever, Time Trip Pad, D Beam Controller (Twin Beam), Assignable Control Knobs (C1, C2), Assignable Switches (S1, S2), V-LINK Button
• Connectors: Headphone Jack (Stereo 1/4 inch phone type), Main Output Jacks (L/MONO, R) (1/4 inch TRS phone type), Direct Output Jacks (L, R) (1/4 inch phone type), Input Jacks (L, R) (1/4 inch phone type), Mic Jack (1/4 inch phone type/XLR type, phantom power), Hold Pedal Jack, Control Pedal Jacks (1, 2), MIDI Connectors (IN, OUT, THRU), USB Connectors: COMPUTER (supports USB 2.0 file transfer, USB 1.1 USB MIDI, and USB Audio) MEMORY (supports USB 2.0 Flash Memory), Digital Audio Interface (24-bit, IEC60958): COAXIAL (IN, OUT) OPTICAL (IN, OUT), AC Inlet
• Power Supply: AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
• Power Consumption: 30 W
• Accessories: Owner’s Manual, Quick Start, Driver Install Guide, CD-ROM (USB Driver), Power Cord
• Options: Keyboard Stand: KS-12, Pedal Switch: DP series, Footswitch: BOSS FS-5U, Expression Pedal: EV-5, USB Memory: M-UF128,
• Microphone: DR series

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