Feb 14 2010

D15 Dreadnought Acoustic Guitar By Martin

Martin D15 Dreadnought Acoustic Guitar

Martin Delivers the D15 Dreadnought Acoustic Guitar which is of great sound and class. The exceptional tone of D15 which is produced by genuine Mahogany construction is excellent. The martin’s 15 series is available in different shapes and sizes which satisfy the desires of every musicians. The 15 series of Martin is equiped with solid Mahogany top, back and sides, herringbone decal rosette, satin finish, patented neck mortise, and “A-frame” X-bracing which enhances the rich, bright sound inherent in mahogany to give it the distinctive look along with the recognizable Martin sound.

Martin D15 Dreadnought Acoustic Guitar

Martin D15 Dreadnought Acoustic Guitar

Technical Specifications of Martin D15 Dreadnought Acoustic Guitar

  • Top Bracing Pattern: D1 (A-Frame)
  • Top Braces: Sitka/1 Style/Non-Scalloped
  • Construction: Mortise/Tenon Neck Joint
  • Body Size: D-14 Fret Read more »
Nov 18 2009

Powerful 300 Watts Behringer BXL3000 Ultrabass Bass Combo Amplifier

Behringer BXL3000 Amplifier

BXL3000 Ultrabass Bass Combo Amplifier delivers 300-watt 2 channel Bass Workstation with a powerful 15 inch special high-impact cone speaker with 300 watts of output hp. It provides a clean and a distortion channel, each with full control. Its 7-band Equilizer features a revolutionary See-What-You-Play FBQ frequency indicator that immediately shows you which bass frequency corresponds with which fader on your Equilizer to allow you instant sound shaping.

300 Watt Behringer ULTRABASS BXL3000 Bass ComboAnd it’s fully loaded: one clean and one distortion channel with full control, a switchable Ultrabass subharmonics processor and a compressor with adjustable threshold are just a few of the feature highlights.

A musical limiter guarantees playing without distortion on the clean channel even at the highest volume levels, plus they’ve included a dual footswitch for channel select. Switchable ULTRABASS subharmonics processor and a compressor let you further tailor your sound to suit the style, while a musical limiter keeps you from ratting out when you’re hitting the strings hard. Using external FX units is easy with the dedicated FX insert, and you can use the separate headphone output.

300 Watt Behringer ULTRABASS BXL3000 Bass Combo Features:

  • Distortion channel with dedicated Gain, Shape and Level controls
  • Integrated compressor smooths out volume peaks when playing dynamic slaps
  • Powerful 300W 2-channel bass combo in wedge-shaped cabinet allowing rock-back use
  • Revolutionary See-What-You-Play FBQ frequency indicator for instant, targeted sound shaping.
  • Clean channel with dedicated gain control.
  • Balanced XLR DI and line outputs for direct connection to your mixing console.
  • Ultramusical, active 7-band graphic EQ with FBQ Spectrum Analyzer.
  • CD input allows you to play along to your favorite music.
  • Switchable Ultrabass subharmonics processor for unbelievable low-end power.
  • Original 15 inch speaker.
  • Musical limiter for ultimate volume without distortion.
  • High-quality components.
  • Separate headphone output.
  • Dual footswitch for Channel select and Ultrabass function.
  • Dedicated FX Insert for external effects devices.
Mar 31 2008

Guitar Players Jam Strategies and Solutions

Name some of the best strategies to learn how to play with other people. Well I got a few up my sleeve. The sooner you put your skills into use the better. At least in the direction you want to go. Bands form everyday, new drummers develop their skills. Bass players develop their chops and get involved also. Never a shortage of people to play with. No matter what level you play at.

To be a one man band, such as the great Ben Pestage, you only need yourself, equipment, a car and a designated driver. Ben is a local favorite, he is going to make it big soon. He is that good. You can see Ben and learn more about him in My Space. Ben’s style is good old fashioned finger-pick-in’blues. Finger pickers use the low E and A strings as the bass line. When you use your fingers to pick the top four strings you get your lead going, all at once. It’s called Travis picking.

No strategy necessary here. Book a gig and show up. The only person to blame if the drummer doesn’t show is…uh..yourself…. or Ben in this case. No musical politics either! Pretty inviting.

Realistically speaking, Not every one wants to be like Ben or has the talent either. The rest of us need to know what strategies you can when you jam or gig. There are several ways to go. If you disagree with any of these strategies, I urge you to share yours. Other people have formulated good strategic methods of jamming too.

Make sure the person leading or hosting the Jam is knowledgeable. Their should be someone who has a good idea of dealing with new players and their fears of playing with other musicians.

Have a list of a few, maybe two to four easy songs, especially for a Beginner guitar players jam session. I may repeat a couple of paradigms periodically, because they are important. Some things will overlap, however, it should go without saying that maybe strategies mentioned twice are twice as important.

Learn what Guitar tablature, tabs, tab is, and how to read it. There is plenty of solid information about learning an easy method to read music, even at an elementary level.

Put a few Guitar chords under your belt. Make a commitment to learn the mandatory chords recommended for everyone. Yo gotta know a few chords or you will really get frustrated. Play them over and over. To have fun and amuse yourself, try learning how to play the twelve bar blues structure.
It’s the easiest way I know of to learn some elementary tunes.

Take turns with the other guitarists. Don’t be a stage hog like me. Depending on how many guitar players show up, take a break every twenty minutes and give another axe man or drummer or bass player a chance to show his wares. Be courteous to everyone who shows, anyone with the nerve to show deserves to play and be supported by all the members. Even if you think you stink.

Note: It’s a natural Phenom to think you stink. You are probably better than you give yourself credit for. It is also why we strive to get better as guitarists. Humans are competitive with each other and themselves.

Use some of the online tools and lessons when you are practicing at home. The metronome and tuner are your best friends. See if you can’t beat or wear out a metronome. Good Luck!

Most important. Have fun and enjoy. Let other people help you. Never quit, you will become a regular jam member and keep improving as a player by continuing to jam. It’s a tried and true method to Jam. Someday new people will show that you can help. I guarantee!

Learning to play classical guitar is a bit different. Classical guitar teachers have recitals. Usually, every month the teacher hosts or maybe a student hosts a recital. Everyone learns a piece of music and gets on stage and plays it. It’s fun and important to play for people. But it is not like Jamming with a bass player and drummer. Needless to say, it’s like comparing apples and oranges in terms of playing styles.

That’s the strategy many guitarists use. We are all in the developmental mode, always! Start to Jam and watch/hear for yourself and grow.

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